Pākhangbā

Meetei Mayek
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Pakhangba
Member of Meitei dragons
Idols of Pakhangba and his consort in the Pakhangba Temple, Kangla.
AffiliationSanamahism
Major cult centerPakhangba Temple, Kangla
Abodeheaven and earth
SymbolMeitei dragons
Texts
GenderMale
RegionAncient Kangleipak
Ethnic groupMeitei
FestivalsLai Haraoba
Personal information
Parents
SiblingsLainingthou Sanamahi, Irai Leima, Khoriphaba, Khunu Leima, Ngaleima, Nganu Leima, Nongshaba, Nongthang Leima, Phouleima (Phouoibi), Shapi Leima, Thumleima
ConsortNongthang Leima
ChildrenMangang, Luwang, Khuman Salai, and others (or Salai Taret Apokpas)
Equivalents
Greek equivalentTyphon
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A tableau depicting Meitei divine mythical beings, like Hiyang Hiren and Pakhangba.
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Pakhangba (Meitei: ꯄꯥꯈꯪꯕ, lit. 'the one who knows his father') is a primordial deity, often represented in the form of a dragon, in Meitei mythology and Sanamahism, the indigenous religion of Manipur. He is depicted in the heraldry of Manipur kingdom, which originated in paphal (Meitei: ꯄꯥꯐꯜ), mythical illustrations of the deity.[1] It is believed that the ancestor of one of the Meitei clans manifested himself as the Pakhangba.[2][3][4]

The identity of the deity is often fused with Nongda Lairen Pakhangba, the first ruler of the Ningthouja dynasty.[5][6] The title Pakhangba was also used by other kings in the history of Manipur.[7]

Pakhangba statue

Mythology

Pakhangba and his elder brother Sanamahi were told by their father that the one who could circumambulate the universe seven times and reach him first would be given the throne of the universe. Sanamahi set out immediately. Pakhangba, besides being the younger brother, was lesser in strength. His mother Leimarel Sidabi, that circling his father's throne is equivalent to the circling of the entire universe. So, he circled the throne, and his father was satisfied with Pakhangba's knowledge. So, Pakhangba was given his name, which means means "one who has realised his father" and was enthroned.[8]

Iconography

Pakhangba is depicted as a serpent with the antlers of a sangai, or brow-antlered deer, signifying the cultural synthesis of two different totemic belief systems, which are the worship of serpents and stags.[8]: 84 

Two Meitei Hiyang hiren, or royal boats, in the shape of Pakhangba inside the Hijagang (Meitei for 'Boatyard') in the Kangla Fort in Imphal

Serpents are the totem creatures of the Ningthouja clan. Ningthoujas do not consume any fishes or plants that look like serpents, as a mark of respect for their ancestors. The Sangai is associated with the Luwang clan. The Chakpa people, who are a part of the Meitei community, also regard deer as their totem animals.[8]: 84 

According to legend, Pudangkoi Khutkoiba, a king of the Luwangs, was once transformed into a deer. He was inadvertently killed by his own younger brother, who didn't know his true identity. Once the error was recognised, the head and antlers of the deer were brought into and preserved in the royal palace. For the inauguration of a royal boat of a Luwang king, the preserved horned head was decoratively installed on the stern. After the cultural integration of the Luwangs and the Meiteis, this tradition was integrated into the making of Meitei hiyang hiren (Meitei for 'royal boats'). Simultaneously, the sides of the boat is decorated to resemble the body of serpentine dragon, thereby looking like the feature of deity Pakhangba.[8]: 85 

In the post-Khagemba era, representations of Pakhangba in the form of a paphal (a coiled serpent or dragon biting its own tail, similar to an oubouros became prominent.[8]: 85 

In Meitei architecture

An illustration of a traditional building based on Meitei architecture, highlighting the Chirong, a sacred symbol for the antlers of deity Pakhangba

In traditional Meitei architecture, the most important Meitei cultural element in building a house is the decoration for the front roof with a design resembling a deer's antlers (Meitei: Chirong). Chi (Meitei for 'horn') is derived from the word Machi (Meitei for 'antler'), and rong (Meitei for 'branching') is derived from the word rongba (Meitei for 'posterior directed branch'). The Chirong symbolises the antler premeditated on his head of the deity Pakhangba.[9]

Beliefs

In relation to Pakhangba, Meitei language has two commonly used words to refer to the snakes or serpents. The words are "lin" and "lairen". Lin is used to refer to small snakes, usually the poisonous snakes. On the other hand, "Lairen" is used to refer to the large snakes, usually the pythons, as well as any big mythical snakes.[10]

Whenever anyone encounters a snake, they may attribute it to the "lin" or "lairen" or any other honorifics dedicated to divine serpents. Sometimes, they simply attribute it to the gods, or directly to Pakhangba.[10]: 203 

Pythons are related to Pakhangba in the world of charms and fortunes. Many people claim that their lives have changed in dramatic ways after encountering a pythons (or Pakhangba).[10]: 212 

Some people who believe in the millenarian return of Pakhangba. According to their beliefs, Pakhangba will re-unite the people of the plains and the hills of Manipur, both politically and religiously, ending decades of tension and violent insurgency.[10]: 208 

Cult

The cult of Pakhangba extraordinarily has an ability to integrate different deities. There are numerous deities, whose names are sufficed with the word "Pakhangba", starting from cosmological deities to ancestral deities. Notable ones are Nongda Lairen Pakhangba, Tangja Leela Pakhangba, Leinung Loncha Pakhangba, Saram Tangkhul Pakhangba, Loidam Thaja Pakhangba and Laiyingthou Pakhangba.[8]: 84 [11]

Deified Meitei kings

Since ancient times, rulers of Kangleipak were deified and worshipped as Pakhangba or one of his divine forms. Similarly, historical queens were deified and integrated into the cult of Yumjao Lairembi. In the Thangmeiband region, Meitei king Naothingkhong (c. 5th century CE) is worshipped as Naothingkhong Pakhangba. Another King, Khagemba is also worshipped as a form of Pakhangba.[8]: 84 

Tangkhul deities

Saram Tangkhul Pakhangba and his wife, Saram Tangkhul Nurabi are associated with the Tangkhul people of north eastern parts of Manipur. The Tangkhul deities were given a prominent position in the Umang Lai pantheon of the Meitei people. Besides being identified as a form of deity Pakhangba, in some cases, Saram Tangkhul is also identified with Nongpok Ningthou.[8]: 84 

Consorts

Pakhangba has numerous consorts, belonging to different communities and ethnicities.

One legend of Pakhangba says that he has seven wives, who give birth to the seven Meitei clans. It signifies the integration of different communities and ethnicities into one single nation.[8]: 85 

Lady Liksanu Saphabi belonging to Kabui people and Thangal people, lady Khamlang Taobi belonging to Chothe people, lady Chotenu belonging to Kom people and lady Leiyoi Nurabi belonging to Langmeidong are a few of the numerous consorts of the Meitei deity Pakhangba. Lady Saram Tangkhul Nurabi is the consort of Tangkhul Pakhangba, a Tangkhul deity, who is a divine form of Pakhangba.[8]: 84 

Texts

Pakhangba is mentioned in numerous ancient Meitei language texts, including the Thanglon Thangchat,[11]: 4  the Pakhangba Laihui, the Pakhangba Phambal,[11]: xi [12][13] the "Pakhangba Naoyom",[8]: 128 [14] the "Pakhangba Nongkarol",[15][14]: 147  etc.

In heraldry

Pakhangba, as a heraldic dragon, was present in all the former royal flags and coats of arms of Manipur. The kingdom of Manipur had a set of two flags, a white one and a red one. All featured the Pakhangba dragon in the centre, although not as prominently in the latter flags.[16]

In traditional dance and music

Keiyen is an ancient Meitei language song describing the conflict between Pakhangba (Apanba) and his elder brother Sanamahi (Asheeba), as a conflict between a tiger and a cock respectively, having mythological and symbolic importance to the Meitei culture. It is symbolically represented in the Ke-kre-Chongba performance.

Younger brother Pakhangba's attempt to escape, along with his seven goddesses, from the elder brother Sanamahi is depicted in the song.[a]

Its interpretation by the different minstrels, maibas and maibis, have many variations. Metaphorically, the song is about a cock (Pakhangba) being pursued by a tiger (Sanamahi).

In Ancient Meitei language, a tiger is termed as “Kei”. “Yangen” is a name of a small wild bushy shrub plant. “Shamba” means “to traverse” in Meitei. “Shyao Shyao” refers to the ancient Meitei onomatopoeic word for the sound produced while traversing the bushy way by the tiger. “Yengkhong Phate” refers to the ominous sound of the cock. It implies that Pakhangba's deeds are not good and so, he deserves to be devoured as a punishment. But, that very cock is not an ordinary one, as it belongs to Lai (Meitei for 'God'). The last line indicates that the entire actions of everyone are done as a divine will of God, thereby showing the ultimate power of the Almighty God and his process of the creation of the entire universe.

The Meitei philosophy associated with Keiyen is imbibed in the dances performed in the Lai Haraoba. Later, it gradually evolved into present day dance of the Thabal Chongba.[9]: 187 

Festivals

Lai Haraoba

Pakhangba, being considered as one of the Umang Lai deities, is honoured with the celebration of the Lai Haraoba festival by the Meitei people.[17]

Pakhangba Cheng Hongba

Pakhangba Cheng Hongba is a traditional Meitei religious festival celebrated annually in honour of deity Pakhangba, to bring peace and tranquility among the mankind. One of the most notable celebrations is organised by the Utra Shanglen Sana Konung and the Pacha Loishang by offering flowers to Nongshaba, Pakhangba and Yumjao Lairembi. This festival is celebrated on regular basis in the Sana Konung, widely believed to be organised since the era of King Nongda Lairen Pakhangba.[18]

It has been participated by a renowned cultural institute named "Atinga" since 2017.[19]

In politics

In 1992, Meitei King Okendrajit Singh, the then ruler of Manipur Kingdom, converted from Hinduism to Sanamahism, the traditional Meitei religion to become a revivalist.

In 2020, Leisemba Sanajaoba, the son of the former king Okendrajit, took oath of joining as an MP inside the Rajya Sabha on behalf of the Bharatiya Janata Party (BJP), mentioning the name of deity Pakhangba, besides Sanamahi and Govindajee (Krishna).

The state administrative office of Bharatiya Janata Party (BJP) in Imphal houses a shrine dedicated to the deity Pakhangba. The BJP-ruled state government of Manipur developed the sacred sites of Pakhangba and performed rituals in the Kangla. Other opposition political parties are also seen in engaging religious activities in relation to deity Pakhangba.

During his 2019 Parliamentary election campaign, Kaiku Rajkumar, a renowned politician-turned actor of Meitei cinema, visited the Pakhangba Temple, Kangla and publicly performed laibau chenba (Meitei for 'ritual divination').[10]: 218 

In Bangladesh

In the Sylhet Division of Bangladesh, a temple dedicated to deity Pakhangba, was constructed during the time of Maharaja Gambhir Singh,[20] on a brick platform, having 15.5 m in breadth, 37 m in length and 90 cm in thickness, facing southwards. It is 24 m tall. According to its architectural design, it has three parts, which are the foundation (base) part, the sanctum sanctorum and the conical portion of the roof, inclining at 75 degree. It also has low relief arts depicting peacock, moon and sun on the upper part of its entrance door. The eastern wall is carved with the relief arts depicting moon, horse and cow.[21][11]: 172 

In Myanmar

A few holy shrines dedicated to deity Pakhangba are located in Myanmar. One notable example is that of the Tadalel (Tadaley) village in Amarapura township in Mandalay Division. In 2023, the Myanmar Meitei Development Association (MMDA), an organization based in Mandalay, Myanmar, requested to Nongthombam Biren, the then Chief Minister of Manipur, to give assistance for the preservation and protection of the holy site.[22]

In Tripura

In Tripura Kingdom, a temple dedicated to deity Pakhangba was built during the coronation of Tripuri King Radha Kishore Manikya, highlighting the cultural heritage of the Meitei people in Tripura, under the influence of Meitei queens. Both the mother and the wife of King Radha Kishore Manikya are Meitei women.[11]: 357 

Pakhangba is still worshipped in present times in the Pakhangba Temple, located near the Royal Palace of Tripura.[11]: 6 

During the reign of Meitei king Marjit Singh in Manipur Kingdom, Raja Borothakur Krishna Kishore ruled Tripura Kingdom. The Tripuri king's first and second queens are both Meitei women. The first queen is Sija Chandrakala Devi, a Meitei princess and the second queen is a Meitei Brahmin lady, thereby also known as "Bamon Leima". With their strong influences, Meitei culture flourished in Tripura, with the proliferation of cults dedicated to different Meitei deities, most prominently deity Pakhangba, at the region of Bonmalipur.[11]: 24 

In popular culture

In the 2018 edition of the Sangai festival held in Manipur, twenty artistes, standing and dancing in the form of a human chain, presented a lively 30 metres long image of deity Pakhangba, dancing on the stage for 45 minutes, depicting the origin of the human beings, as adapted from the Lai Haraoba festival performances, while presenting a theatrical show titled Laigi Machasing (Meitei for 'Children of God'), choreographed by Sangeet Natak Akademi's Ustad Bismillah Khan Yuva Puraskar Awardee Sinam Basu.[23]

A Mumbai-based group of musical artists titled "Serpents of Pakhangba", named after the deity Pakhangba himself, formed in 2019,[24] is continuously producing musical works related to Meitei mythology and Meitei folklore.[25][26][27]

See also

Bibliography

  • Pakhangba Phamlup (in Manipuri). India: Publications Divisions Reforms, Imphal. 2009.
  • Chaoba, Kangbam (1985). Pakhangba Naoyom (in Manipuri). Digital Library of India.
  • Bheigya Singh, Yengkhom (1985). Pakhangba (in Manipuri). Digital Library of India.
  • Kala Meitei, Pukhrambam. Pakhangba (in Manipuri). Digital Library of India.
  • Ibobi, laikhuram (1995). Pakhangba Laining (in Manipuri). Digital Library of India.
  • Bihari Singh, Huirem (2012). Chothe Thangwai Pakhangba (in Manipuri). Digital Library of India.
  • Kokngangsana, Rajkumar (1955). Kanglei Langba Pakhangba (in Manipuri). Ningthou Macha Manisana Heirangkhoithong Keibung Imphal.
  • Ngamba, Chongthamcha (1989). Mapugee Matik Mayai (in Manipuri).
  • Khwairakpam, Biren; Chingakham, Dinachandra (8 October 2018). The Lai of Manipur: Andro and Sengmai. Independently Published. ISBN 978-1-7266-9002-7.
  • Parratt, John (2017). The Coils of Pakhangba: A Culture History of Meeteis. Mittal Publications. ISBN 978-81-8324-823-5.

Notes

  1. ^ Singh, 1993b, p. 72

References

  1. ^ Samiti, Kāmarūpa Anusandhāna (2007). "Journal of the Assam Research Society".
  2. ^ "Proceedings of North East India History Association". 2001.
  3. ^ Bahadur, Mutua; Santabai, Y. (1989). "Tribal Art of Manipur".
  4. ^ Hastings Encyclopedia of Religion and Ethics, Volume 11
  5. ^ Nayar, V. K. (2005). Crossing the Frontiers of Conflict in the North East and Jammu and Kashmir: From Real Politik to Ideal Politik. Shipra Publications. ISBN 9788175412187.
  6. ^ Jain, Jyotindra (1998). "Other Masters: Five Contemporary Folk and Tribal Artists of India".
  7. ^ Samiti, Kāmarūpa Anusandhāna (2007). "Journal of the Assam Research Society".
  8. ^ a b c d e f g h i j k Birajit, Soibam (1 December 2014). Meeyamgi Kholao: Sprout of Consciousness. ARECOM ( Advanced Research Consortium, Manipur. pp. 94–95.
  9. ^ a b Bhattacharyya, Rituparna (29 July 2022). Northeast India Through the Ages: A Transdisciplinary Perspective on Prehistory, History, and Oral History. Taylor & Francis. p. 192. ISBN 978-1-000-62390-1.
  10. ^ a b c d e Wouters, Jelle J. P. (16 May 2022). Vernacular Politics in Northeast India: Democracy, Ethnicity, and Indigeneity. Oxford University Press. p. 203. ISBN 978-0-19-267826-3.
  11. ^ a b c d e f g Sanajaoba, Naorem (1988). Manipur, Past and Present: The Heritage and Ordeals of a Civilization. Mittal Publications. p. 4. ISBN 978-81-7099-853-2.
  12. ^ Singh, Dr Th Suresh (2 June 2014). The Endless Kabaw Valley: British Created Visious Cycle of Manipur, Burma and India. Quills Ink Publishing. p. 25. ISBN 978-93-84318-00-0.
  13. ^ Devi, Yumlembam Gopi (16 June 2019). Glimpses of Manipuri Culture. p. 118. ISBN 978-0-359-72919-7.
  14. ^ a b Devi, L. Kunjeswori (2003). Archaeology in Manipur. Rajesh Publications. p. 61. ISBN 978-81-85891-18-7.
  15. ^ Singh, Moirangthem Kirti (1998). Recent Researches in Oriental Indological Studies: Including Meiteilogy. Parimal Publications. p. 179.
  16. ^ FOTW - Manipur, Indian Princely State
  17. ^ "Umanglai Haraoba Traditional Institution for Local Self Governance in Manipur". Retrieved 11 October 2023.
  18. ^ "'Cheng Hongba' observed : 07th may12". Retrieved 11 October 2023.
  19. ^ "An artist couple running a cultural institute". Retrieved 11 October 2023.
  20. ^ "Illustrated Manuscripts 2". Retrieved 10 October 2023.
  21. ^ "Textile Bdesh Myanmar 6". Retrieved 10 October 2023.
  22. ^ "Manipur government's assistance sought in preserving shrine in Mandalay". Imphal Free Press. Retrieved 10 October 2023.
  23. ^ "'Laigi Machasing' captivates audience on closing day of Manipur Sangai Festival : 01st dec18". Retrieved 10 October 2023.
  24. ^ Sarma, Krishangi (26 August 2023). "How Serpents of Pakhangba brings together Meitei mysticism and music". EastMojo. Retrieved 10 October 2023.
  25. ^ Tagat, Anurag (4 June 2022). "Serpents Of Pakhangba Draw From Meitei Folklore for Incendiary 'Panthoibi' Video". Rolling Stone India. Retrieved 10 October 2023.
  26. ^ Scroll Staff (7 June 2022). "Watch: Folk metal band 'Serpents of Pakhangba' weave Manipuri Meitei folklore into their new single". Scroll.in. Retrieved 10 October 2023.
  27. ^ Tagat, Anurag (2 February 2020). "Avant-Garde Act Serpents of Pakhangba Debut Live at Control ALT Delete 12". Rolling Stone India. Retrieved 10 October 2023.

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