Wole Lagunju
Wole Lagunju, born in 1966 in Oshogbo, Nigeria, is acclaimed for his innovative approach that blends traditional Yoruba art with contemporary Western influences.[1] Graduating in Fine Arts and Graphic Design from the University of Ife (now Obafemi Awolowo University) in 1986, Lagunju's artistic style revolves around intricate paintings intertwining traditional Gelede masks with representations of modern Western women, redefining Yoruba art and design.[2]
Work and galleries
His works reflect a fusion of cultural icons from diverse historical periods such as the Dutch Golden Age, Elizabethan era, and the mid-20th century Euro-American milieu.[1][2][3] Lagunju's pieces explore African colonization and decolonization eras, critiquing 19th-century racial and social structures while commenting on power, femininity, and womanhood.[3][2]
Lagunju has exhibited extensively in Nigeria and internationally, with notable showcases like "Yoruba Remixed" at Ebonycurated Gallery in Capetown (2018) and "Womanscape: Race, Gender, and Sexuality in African Art" at the University of Texas, Austin (2011). Recognized for his contributions, he received the Phillip Ravenhill Fellowship from UCLA in 2006 and the Pollock Krasner award in 2009. Residing in the United States, his unique vision continues to evolve and thrive.[1][3][4][5]
His art delves into cultural hybridization, juxtaposing Gelede masks with images of power from various historical periods. By incorporating 19th-century European imagery and 1950s-60s icons, Lagunju challenges prevailing cultural paradigms, addressing issues of power, gender, and identity.[3][5]
His recent exhibition, "Cut From the Same Cloth," delves into cultural identity and contemporary fashion, bridging his ongoing Gelede series with smaller works. Lagunju's art aims to spark dialogues on racial stereotypes and intercultural understanding, questioning established canons of race and heritage.[4][5]
Through his work, Lagunju navigates the complex interplay between tradition and modernity, exploring themes of identity, gender, and power. He's gained global recognition with works in prestigious collections such as the St. Louis Art Museum and the World Bank Collection. His artistic contributions continue to be celebrated through exhibitions worldwide, with pieces like "Irawo II" securing acclaim at the St. Louis Art Museum in 2023.
References
- ^ a b c "Wole Lagunju - Overview". Montague Contemporary. Retrieved 2023-11-21.
- ^ a b c andrieux, amy (2020-04-23). "DIGITAL GALLERY | Wole Lagunju". Museum of Contemporary African Diasporan Art. Retrieved 2023-11-21.
- ^ a b c d "Artist Wole Lagunju's first solo show explores issues of power, gender and identity". Creative Boom. 2022-09-07. Retrieved 2023-11-21.
- ^ a b "Wole Lagunju Exhibition at Duke Hall Gallery of Fine Art". www.jmu.edu. Retrieved 2023-11-21.
- ^ a b c "Wole Lagunju – Prints & Originals". Hang-Up Gallery. Retrieved 2023-11-21.
Bibliography
- Andrieux, Amy. “DIGITAL GALLERY | Wole Lagunju.” Museum of Contemporary African Diasporan Art, April 23, 2020. https://mocada.org/digital-gallery-wole-lagunju/.
- Hang-Up Gallery. “Wole Lagunju – Prints & Originals.” Hang-Up Gallery. Accessed October 12, 2023. https://hanguppictures.com/artists/wole-lagunju.
- James Madison University Duke Hall Gallery Curators. “Wole Lagunju Exhibition at Duke Hall Gallery of Fine Art.” www.jmu.edu, September 1, 2014. https://www.jmu.edu/dukehallgallery/exhibitions-past-2014-2015/wole-lagunju.shtml.
- May, Tom. “Artist Wole Lagunju’s First Solo Show Explores Issues of Power, Gender and Identity.” Creative Boom, September 7, 2022. https://www.creativeboom.com/inspiration/wole-lagunju/.
- Montague Contemporary. “Wole Lagunju - Overview.” Montague Contemporary. Accessed October 12, 2023. https://www.montaguecontemporary.com/artists/31-wole-lagunju/overview/.
- www.wolelagunju.com. “About: Wole Lagunju.” Accessed October 12, 2023. https://www.wolelagunju.com/about.