User:Викидим/Stomping
Stomping is a performing practice, common to an early jazz, that accentuates the four beats of a quadruple meter music. The term is also used to describe the foot-stomping accompaniment in solo blues performance (e.g., in Hastings Street Boogie by John Lee Hooker) and stomp style shuffle rhythm in rock-n-roll.[1]
On a piano, the stomping was executed by heavy on-beat left-hand playing, creating a rougher "barrelhouse" variant of ragtime (the right hand still played the syncopated melody[2]). Boogie-woogie has transformed stomping into forceful left-hand equal-weight bass rhythms.[3]
Stompin' Tom Connors got his stage name from the foot-stomping he used in his performances.[1]
References
- ^ a b Continuum 2003.
- ^ Arnold Cheyney (2007). Legends of the Arts: 50 Inspiring Stories of Creative People. Good Year Books. p. 48. ISBN 978-1-59647-137-5. OCLC 1144631576.
- ^ Tricia Woods (3 May 2005). Complete Blues Keyboard Method: Beginning Blues Keyboard/Piano. Alfred Music. p. 60. ISBN 978-1-4574-1395-7. OCLC 947930408.
Sources
- John Shepherd; David Horn, eds. (2003). "Stomping". Continuum Encyclopedia of Popular Music of the World. Vol. II. London, New York: Continuum. p. 624. ISBN 0-8264-6322-3.
- Fiehrer, Thomas (January 1991). "From quadrille to stomp: the Creole origins of jazz". Popular Music. 10 (1): 21–38. doi:10.1017/S0261143000004293. eISSN 1474-0095. ISSN 0261-1430.
- Albert Murray (1989). Stomping the Blues. Turtleback. ISBN 978-0-613-18144-0.
- Eric Kriss (1 June 1973). Barrelhouse and Boogie Piano. Oak Publications. ISBN 978-1-78323-517-9.
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