Prelude and Fugue in D minor, BWV 875

You can help expand this article with text translated from the corresponding article in French. Click [show] for important translation instructions.

View a machine-translated version of the French article.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing French Wikipedia article at [[:fr:Prélude et fugue en ré mineur (BWV 875)]]; see its history for attribution.
You should also add the template {{Translated|fr|Prélude et fugue en ré mineur (BWV 875)}} to the talk page.
For more guidance, see Wikipedia:Translation.

The Prelude and Fugue in D minor, BWV 875 is a keyboard composition written by Johann Sebastian Bach. It is the sixth prelude and fugue in the second book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer.^[1]

Prelude

The prelude has 61 bars and is in ³
₄. It is made up of running semiquavers and quavers.^[2] The piece was originally composed as a moto perpetuo, probably inspired by Antonio Vivaldi. The figuration is similar to that of a violin piece, particularly in an earlier revision of the prelude, Preambulum d-Moll, BWV 875a, which does not include the demisemiquavers in bars 22, 24, etc. in the final version. Despite this, the basic structure has remained the same: binary form, with the main theme restated in the dominant in bar 27.^[3]

Fugue

The fugue has 27 bars, is in common time and is in three voices.^[4] The subject's structure is similar to that of the theme of The Musical Offering, opening in triplet semiquavers moving diatonically then quavers moving chromatically. They are later accompanied by the ordinary semiquavers of the countersubject, which make the fugue constantly switch between duple and triple rhythms, even more often than the D major prelude.^[3]

References

^ "BWV 875". Archived from the original on 2018-06-24. Retrieved 1 December 2022.
^ "Prélude No. 6 BWV 875 in D minor | Sheet music for Piano". MuseScore. Retrieved 2018-05-28.
^ a b Schulenberg, David (1992). The Keyboard Music of J.S. Bach. MacMillan Publishing Company. pp. 209–210. ISBN 9780028732756. LCCN 91039348.
^ "Fugue No. 6 BWV 875 in D minor | Sheet music for Piano". MuseScore. Retrieved 2018-05-28.

v t e Compositions for organ, keyboard and lute by Johann Sebastian Bach
Organ	Fugue in G minor, BWV 131a (doubtful) Sonatas, BWV 525–530 Prelude and Fugue in C major, BWV 531 Prelude and Fugue in D major, BWV 532 Fantasia and Fugue in C minor, BWV 537 Toccata and Fugue in D minor ("Dorian"), BWV 538 Toccata and Fugue in F major, BWV 540 Fantasia and Fugue in G minor ("Great"), BWV 542 Prelude and Fugue in A minor, BWV 543 Prelude and Fugue in B minor, BWV 544 Prelude and Fugue in C minor, BWV 546 Prelude and Fugue in E minor ("Wedge"), BWV 548 Eight Short Preludes and Fugues, BWV 553–560 (doubtful) Fantasia and Fugue in C minor, BWV 562 Toccata, Adagio and Fugue in C major, BWV 564 Toccata and Fugue in D minor, BWV 565 (doubtful) Prelude (Toccata) and Fugue in E major, BWV 566 Fantasia ("Pièce d'Orgue") in G major, BWV 572 Fugue in G minor ("Little"), BWV 578 Passacaglia and Fugue in C minor, BWV 582 Concertos, BWV 592–597 Orgelbüchlein, BWV 599–644 Schübler Chorales, BWV 645–650 Great Eighteen Chorale Preludes, BWV 651–668 Chorale partita Sei gegrüßet, Jesu gütig, BWV 768 Canonic Variations on "Vom Himmel hoch da komm' ich her", BWV 769 Neumeister chorales, BWV 1090–1120 Chorale fantasia Wo Gott der Herr nicht bei uns hält, BWV 1128
Keyboard	Aria variata alla maniera italiana Capriccio on the departure of a beloved brother Chromatic Fantasia and Fugue Harpsichord solo concertos English Suites Fantasia and Fugue in C minor, BWV 906 French Suites Goldberg Variations discography Gould recording Inventions and Sinfonias Italian Concerto Overture in the French style Partitas, BWV 825–830 No. 2 No. 4 No. 6 Six Little Preludes, BWV 933–938 The Well-Tempered Clavier, BWV 846–893 I: C, BWV 846 c, BWV 847 C♯, BWV 848 c♯, BWV 849 e, BWV 855 g, BWV 861 B♭, BWV 866 b♭, BWV 867 II: C, BWV 870 c, BWV 871 c♯, BWV 873 D, BWV 874 d, BWV 875 f, BWV 881 g♯, BWV 887 b♭, BWV 891 b, BWV 893 Toccatas, BWV 910–916
Lute	Suite in G minor, BWV 995 Suite in E minor, BWV 996 Bourrée Suite in C minor, BWV 997 Prelude, Fugue and Allegro in E♭ major, BWV 998 Prelude in C minor, BWV 999 Fugue in G minor, BWV 1000
Mixed collections	Clavier-Übung III: Prelude and Fugue in E♭ major ("St. Anne"), BWV 552, Chorale preludes, BWV 669–689, Duets, BWV 802–805 Concerto transcriptions, BWV 592–596 and 972–987 Klavierbüchlein W. F. Bach Notebook A. M. Bach Twelve Little Preludes
List of compositions by Johann Sebastian Bach List of fugal works by Johann Sebastian Bach List of concertos by Johann Sebastian Bach

This article about a classical composition is a stub. You can help Wikipedia by expanding it.

Authority control databases
International	VIAF 2
National	France BnF data Germany