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T H E   A R T S   P O R T A L

The arts are a wide range of human practices of creative expression, storytelling, and cultural participation. They encompass multiple diverse and plural modes of thinking, doing, and being, in an extremely broad range of media. Both dynamic and a characteristically constant feature of human life, they have developed into innovative, stylized, and sometimes intricate forms. This is often achieved through sustained and deliberate study, training, and/or theorizing within a particular tradition, across generations, and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural, and individual identities while transmitting values, impressions, judgements, ideas, visions, spiritual meanings, patterns of life, and experiences across time and space.

Prominent examples of the arts include:

They can employ skill and imagination to produce objects and performances, convey insights and experiences, and construct new environments and spaces.

The arts can refer to common, popular, or everyday practices as well as more sophisticated, systematic, or institutionalized ones. They can be discrete and self-contained or combine and interweave with other art forms, such as the combination of artwork with the written word in comics. They can also develop or contribute to some particular aspect of a more complex art form, as in cinematography. By definition, the arts themselves are open to being continually redefined. The practice of modern art, for example, is a testament to the shifting boundaries, improvisation and experimentation, reflexive nature, and self-criticism or questioning that art and its conditions of production, reception, and possibility can undergo.

As both a means of developing capacities of attention and sensitivity and as ends in themselves, the arts can simultaneously be a form of response to the world and a way that our responses and what we deem worthwhile goals or pursuits are transformed. From prehistoric cave paintings to ancient and contemporary forms of ritual to modern-day films, art has served to register, embody, and preserve our ever-shifting relationships to each other and to the world. (Full article...)

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  • Image 1 Tell All Your Friends is the debut studio album by American rock band Taking Back Sunday, released on March 26, 2002, through Victory Records. Forming in 1999, the group underwent several lineup changes before settling on vocalist Adam Lazzara, guitarist and vocalist John Nolan, guitarist Eddie Reyes, bassist Shaun Cooper, and drummer Mark O'Connell. Taking Back Sunday released a five-song demo in early 2001, after which they toured the United States for most of the year. They rented a room in Lindenhurst, New York, where they wrote and demoed songs. In December 2001, the band signed with Victory Records; they began recording their debut album with producer Sal Villanueva at Big Blue Meenie Recording Studio in New Jersey. "Great Romances of the 20th Century" was released as the lead single from Tell All Your Friends in March 2002. A few months later, Taking Back Sunday toured across the United States with Brand New and Rufio. At the end of the year, a Fight Club-inspired music video was released for "Cute Without the 'E' (Cut from the Team)". The group spent the early part of 2003 touring with the Used and the Blood Brothers before headlining their own tour. After that, Nolan and Cooper left Taking Back Sunday and were replaced by Fred Mascherino and Matt Rubano. In September 2003, "You're So Last Summer" was released as the album's second single, and the band began co-headlining a tour with Saves the Day, which lasted until November 2003. By that point, a music video had been released for "You're So Last Summer". (Full article...)
    Tell All Your Friends is the debut studio album by American rock band Taking Back Sunday, released on March 26, 2002, through Victory Records. Forming in 1999, the group underwent several lineup changes before settling on vocalist Adam Lazzara, guitarist and vocalist John Nolan, guitarist Eddie Reyes, bassist Shaun Cooper, and drummer Mark O'Connell. Taking Back Sunday released a five-song demo in early 2001, after which they toured the United States for most of the year. They rented a room in Lindenhurst, New York, where they wrote and demoed songs. In December 2001, the band signed with Victory Records; they began recording their debut album with producer Sal Villanueva at Big Blue Meenie Recording Studio in New Jersey.

    "Great Romances of the 20th Century" was released as the lead single from Tell All Your Friends in March 2002. A few months later, Taking Back Sunday toured across the United States with Brand New and Rufio. At the end of the year, a Fight Club-inspired music video was released for "Cute Without the 'E' (Cut from the Team)". The group spent the early part of 2003 touring with the Used and the Blood Brothers before headlining their own tour. After that, Nolan and Cooper left Taking Back Sunday and were replaced by Fred Mascherino and Matt Rubano. In September 2003, "You're So Last Summer" was released as the album's second single, and the band began co-headlining a tour with Saves the Day, which lasted until November 2003. By that point, a music video had been released for "You're So Last Summer". (Full article...)
  • Image 2 Pilgrim at Tinker Creek is a 1974 nonfiction narrative book by American author Annie Dillard. Told from a first-person point of view, the book details Dillard's explorations near her home, and various contemplations on nature and life. The title refers to Tinker Creek, which is outside Roanoke in Virginia's Blue Ridge Mountains. Dillard began Pilgrim in the spring of 1973, using her personal journals as inspiration. Separated into four sections that signify each of the seasons, the narrative takes place over the period of one year. The book records the narrator's thoughts on solitude, writing, and religion, as well as scientific observations on the flora and fauna she encounters. It touches on themes of faith, nature, and awareness, and is also noted for its study of theodicy and the cruelty of the natural world. The author has described it as a "book of theology", and she rejects the label of nature writer. Dillard considers the story a "single sustained nonfiction narrative", although several chapters have been anthologized separately in magazines and other publications. The book is analogous in design and genre to Henry David Thoreau's Walden (1854), the subject of Dillard's master's thesis at Hollins College. Critics often compare Dillard to authors from the Transcendentalist movement; Edward Abbey in particular deemed her Thoreau's "true heir". (Full article...)
    Pilgrim at Tinker Creek is a 1974 nonfiction narrative book by American author Annie Dillard. Told from a first-person point of view, the book details Dillard's explorations near her home, and various contemplations on nature and life. The title refers to Tinker Creek, which is outside Roanoke in Virginia's Blue Ridge Mountains. Dillard began Pilgrim in the spring of 1973, using her personal journals as inspiration. Separated into four sections that signify each of the seasons, the narrative takes place over the period of one year.

    The book records the narrator's thoughts on solitude, writing, and religion, as well as scientific observations on the flora and fauna she encounters. It touches on themes of faith, nature, and awareness, and is also noted for its study of theodicy and the cruelty of the natural world. The author has described it as a "book of theology", and she rejects the label of nature writer. Dillard considers the story a "single sustained nonfiction narrative", although several chapters have been anthologized separately in magazines and other publications. The book is analogous in design and genre to Henry David Thoreau's Walden (1854), the subject of Dillard's master's thesis at Hollins College. Critics often compare Dillard to authors from the Transcendentalist movement; Edward Abbey in particular deemed her Thoreau's "true heir". (Full article...)
  • Image 3 First page of the only surviving manuscript, c. 14th century Sir Gawain and the Green Knight is a late 14th-century chivalric romance in Middle English alliterative verse. The author is unknown; the title was given centuries later. It is one of the best-known Arthurian stories, with its plot combining two types of folk motifs: the beheading game, and the exchange of winnings. Written in stanzas of alliterative verse, each of which ends in a rhyming bob and wheel, it draws on Welsh, Irish, and English stories, as well as the French chivalric tradition. It is an important example of a chivalric romance, which typically involves a hero who goes on a quest which tests his prowess. It remains popular in modern English renderings from J. R. R. Tolkien, Simon Armitage, and others, as well as through film and stage adaptations. The story describes how Sir Gawain, who was not yet a knight of King Arthur's Round Table, accepts a challenge from a mysterious "Green Knight" who dares any man to strike him with his axe if he will take a return blow in a year and a day. Gawain accepts and beheads him, at which point, the Green Knight stands, picks up his head, and reminds Gawain of the appointed time. In his struggles to keep his bargain, Gawain demonstrates chivalry and loyalty until his honour is called into question by a test involving the lord and the lady of the castle at which he is a guest. The poem survives in one manuscript, Cotton Nero A.x., which also includes three religious narrative poems: Pearl, Cleanness, and Patience. All four are written in a North West Midlands dialect of Middle English, and are thought to be by the same author, dubbed the "Pearl Poet" or "Gawain Poet". (Full article...)

    First page of the only surviving manuscript, c. 14th century

    Sir Gawain and the Green Knight is a late 14th-century chivalric romance in Middle English alliterative verse. The author is unknown; the title was given centuries later. It is one of the best-known Arthurian stories, with its plot combining two types of folk motifs: the beheading game, and the exchange of winnings. Written in stanzas of alliterative verse, each of which ends in a rhyming bob and wheel, it draws on Welsh, Irish, and English stories, as well as the French chivalric tradition. It is an important example of a chivalric romance, which typically involves a hero who goes on a quest which tests his prowess. It remains popular in modern English renderings from J. R. R. Tolkien, Simon Armitage, and others, as well as through film and stage adaptations.

    The story describes how Sir Gawain, who was not yet a knight of King Arthur's Round Table, accepts a challenge from a mysterious "Green Knight" who dares any man to strike him with his axe if he will take a return blow in a year and a day. Gawain accepts and beheads him, at which point, the Green Knight stands, picks up his head, and reminds Gawain of the appointed time. In his struggles to keep his bargain, Gawain demonstrates chivalry and loyalty until his honour is called into question by a test involving the lord and the lady of the castle at which he is a guest. The poem survives in one manuscript, Cotton Nero A.x., which also includes three religious narrative poems: Pearl, Cleanness, and Patience. All four are written in a North West Midlands dialect of Middle English, and are thought to be by the same author, dubbed the "Pearl Poet" or "Gawain Poet". (Full article...)
  • Image 4 "North by North Quahog" is the fourth season premiere of the animated television series Family Guy. It originally aired on the Fox network in the United States on May 1, 2005, though it had premiered three days earlier at a special screening at the University of Vermont, Burlington. In the episode, Peter and Lois go on a second honeymoon to rekindle their marriage, but are chased by Mel Gibson after Peter steals the sequel to The Passion of the Christ from Gibson's private hotel room. Meanwhile, Brian and Stewie take care of Chris and Meg at home. Family Guy had been canceled in 2002 due to low ratings, but was revived by Fox after reruns on Adult Swim became the cable network's most watched program, and more than three million DVDs of the show were sold. Written by series creator Seth MacFarlane and directed by Peter Shin, much of the plot and many of the technical aspects of the episode, as well as the title, are direct parodies of the 1959 Alfred Hitchcock classic movie North by Northwest; in addition, the episode makes use of Bernard Herrmann's theme music from that film. The episode contains many cultural references; in the cold opening, Peter lists 29 shows that were canceled by Fox after Family Guy was canceled and says that if all of those shows were to be canceled, they might have a chance at returning. (Full article...)
    "North by North Quahog" is the fourth season premiere of the animated television series Family Guy. It originally aired on the Fox network in the United States on May 1, 2005, though it had premiered three days earlier at a special screening at the University of Vermont, Burlington. In the episode, Peter and Lois go on a second honeymoon to rekindle their marriage, but are chased by Mel Gibson after Peter steals the sequel to The Passion of the Christ from Gibson's private hotel room. Meanwhile, Brian and Stewie take care of Chris and Meg at home.

    Family Guy had been canceled in 2002 due to low ratings, but was revived by Fox after reruns on Adult Swim became the cable network's most watched program, and more than three million DVDs of the show were sold. Written by series creator Seth MacFarlane and directed by Peter Shin, much of the plot and many of the technical aspects of the episode, as well as the title, are direct parodies of the 1959 Alfred Hitchcock classic movie North by Northwest; in addition, the episode makes use of Bernard Herrmann's theme music from that film. The episode contains many cultural references; in the cold opening, Peter lists 29 shows that were canceled by Fox after Family Guy was canceled and says that if all of those shows were to be canceled, they might have a chance at returning. (Full article...)
  • Image 5 "Rejoined" is the 78th episode of the American science fiction television series Star Trek: Deep Space Nine, the fifth of the fourth season. It originally aired on October 30, 1995, in broadcast syndication. The episode received a record volume of feedback from viewers for the series, both positive and negative, as it marked one of the first televised lesbian kisses. Set in the 24th century, the series follows the adventures on Deep Space Nine, a space station located near a stable wormhole between the Alpha and Gamma quadrants of the Milky Way Galaxy. The plot of "Rejoined" expands on the Trill species, of which DS9 officer Jadzia Dax is a member. They are formed of a host and a symbiont, with the symbiont passed from host to host as the previous one dies. In the episode, Dax is reunited with Lenara Kahn, the widow of one of the symbiont's former hosts. The two struggle with their feelings for one another because of the taboo in their species against reuniting with loved ones of former hosts as they work together to experiment on wormholes. (Full article...)
    "Rejoined" is the 78th episode of the American science fiction television series Star Trek: Deep Space Nine, the fifth of the fourth season. It originally aired on October 30, 1995, in broadcast syndication. The episode received a record volume of feedback from viewers for the series, both positive and negative, as it marked one of the first televised lesbian kisses.

    Set in the 24th century, the series follows the adventures on Deep Space Nine, a space station located near a stable wormhole between the Alpha and Gamma quadrants of the Milky Way Galaxy. The plot of "Rejoined" expands on the Trill species, of which DS9 officer Jadzia Dax is a member. They are formed of a host and a symbiont, with the symbiont passed from host to host as the previous one dies. In the episode, Dax is reunited with Lenara Kahn, the widow of one of the symbiont's former hosts. The two struggle with their feelings for one another because of the taboo in their species against reuniting with loved ones of former hosts as they work together to experiment on wormholes. (Full article...)
  • Image 6 Building seen from Dearborn Street in 2005. The north half in the foreground is the earliest section (1891). The Monadnock Building (historically the Monadnock Block; pronounced /məˈnædnɒk/ mə-NAD-nok) is a 16-story skyscraper located at 53 West Jackson Boulevard in the south Loop area of Chicago. The north half of the building was designed by the firm of Burnham & Root and built starting in 1891. At 215 feet (66 m), it is the tallest load-bearing brick building ever constructed. It employed the first portal system of wind bracing in the United States. Its decorative staircases represent the first structural use of aluminum in building construction. The later south half, constructed in 1893, was designed by Holabird & Roche and is similar in color and profile to the original, but the design is more traditionally ornate. When completed, it was the largest office building in the world. The success of the building was the catalyst for an important new business center at the southern end of the Loop. The building was remodeled in 1938 in one of the first major skyscraper renovations ever undertaken—a bid, in part, to revolutionize how building maintenance was done and halt the demolition of Chicago's aging skyscrapers. It was sold in 1979 to owners who restored the building to its original condition, in one of the most comprehensive skyscraper restorations attempted as of 1992. The project was recognized as one of the top restoration projects in the US by the National Trust for Historic Preservation in 1987. The building is divided into offices from 250 square feet (23 m2) to 6,000 square feet (560 m2) in size, and primarily serves independent professional firms. It was listed for sale in 2007. (Full article...)

    Building seen from Dearborn Street in 2005. The north half in the foreground is the earliest section (1891).

    The Monadnock Building (historically the Monadnock Block; pronounced /məˈnædnɒk/ mə-NAD-nok) is a 16-story skyscraper located at 53 West Jackson Boulevard in the south Loop area of Chicago. The north half of the building was designed by the firm of Burnham & Root and built starting in 1891. At 215 feet (66 m), it is the tallest load-bearing brick building ever constructed. It employed the first portal system of wind bracing in the United States. Its decorative staircases represent the first structural use of aluminum in building construction. The later south half, constructed in 1893, was designed by Holabird & Roche and is similar in color and profile to the original, but the design is more traditionally ornate. When completed, it was the largest office building in the world. The success of the building was the catalyst for an important new business center at the southern end of the Loop.

    The building was remodeled in 1938 in one of the first major skyscraper renovations ever undertaken—a bid, in part, to revolutionize how building maintenance was done and halt the demolition of Chicago's aging skyscrapers. It was sold in 1979 to owners who restored the building to its original condition, in one of the most comprehensive skyscraper restorations attempted as of 1992. The project was recognized as one of the top restoration projects in the US by the National Trust for Historic Preservation in 1987. The building is divided into offices from 250 square feet (23 m2) to 6,000 square feet (560 m2) in size, and primarily serves independent professional firms. It was listed for sale in 2007. (Full article...)
  • Image 7 Portrait c. 1888 Pyotr Ilyich Tchaikovsky (/tʃaɪˈkɒfski/ chy-KOF-skee; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. Tchaikovsky wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets Swan Lake and The Nutcracker, the 1812 Overture, his First Piano Concerto, Violin Concerto, the Romeo and Juliet Overture-Fantasy, several symphonies, and the opera Eugene Onegin. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that Tchaikovsky received there set him apart from composers of the contemporary nationalist movement embodied by the Russian composers of The Five with whom his professional relationship was mixed. (Full article...)

    Portrait c. 1888

    Pyotr Ilyich Tchaikovsky (/tʃaɪˈkɒfski/ chy-KOF-skee; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. Tchaikovsky wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets Swan Lake and The Nutcracker, the 1812 Overture, his First Piano Concerto, Violin Concerto, the Romeo and Juliet Overture-Fantasy, several symphonies, and the opera Eugene Onegin.

    Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that Tchaikovsky received there set him apart from composers of the contemporary nationalist movement embodied by the Russian composers of The Five with whom his professional relationship was mixed. (Full article...)
  • Image 8 Robey in the 1910s Sir George Edward Wade, CBE (20 September 1869 – 29 November 1954), known professionally as George Robey, was an English comedian, singer and actor in musical theatre, who became known as one of the greatest music hall performers of the late 19th and early 20th centuries. As a comedian, he mixed everyday situations and observations with comic absurdity. Apart from his music hall acts, he was a popular Christmas pantomime performer in the English provinces, where he excelled in the dame roles. He scored notable successes in musical revues during and after the First World War, particularly with the song "If You Were the Only Girl (In the World)", which he performed with Violet Loraine in the revue The Bing Boys Are Here (1916). One of his best-known original characters in his six-decade long career was the Prime Minister of Mirth. Born in London, Robey came from a middle-class family. After schooling in England and Germany, and a series of office jobs, he made his debut on the London stage, at the age of 21, as the straight man to a comic hypnotist. Robey soon developed his own act and appeared at the Oxford Music Hall in 1890, where he earned favourable notices singing "The Simple Pimple" and "He'll Get It Where He's Gone to Now". In 1892, he appeared in his first pantomime, Whittington Up-to-date in Brighton, which brought him to a wider audience. More provincial engagements followed in Manchester, Birmingham and Liverpool, and he became a mainstay of the popular Christmas pantomime scene. (Full article...)
    Robey in the 1910s

    Sir George Edward Wade, CBE (20 September 1869 – 29 November 1954), known professionally as George Robey, was an English comedian, singer and actor in musical theatre, who became known as one of the greatest music hall performers of the late 19th and early 20th centuries. As a comedian, he mixed everyday situations and observations with comic absurdity. Apart from his music hall acts, he was a popular Christmas pantomime performer in the English provinces, where he excelled in the dame roles. He scored notable successes in musical revues during and after the First World War, particularly with the song "If You Were the Only Girl (In the World)", which he performed with Violet Loraine in the revue The Bing Boys Are Here (1916). One of his best-known original characters in his six-decade long career was the Prime Minister of Mirth.

    Born in London, Robey came from a middle-class family. After schooling in England and Germany, and a series of office jobs, he made his debut on the London stage, at the age of 21, as the straight man to a comic hypnotist. Robey soon developed his own act and appeared at the Oxford Music Hall in 1890, where he earned favourable notices singing "The Simple Pimple" and "He'll Get It Where He's Gone to Now". In 1892, he appeared in his first pantomime, Whittington Up-to-date in Brighton, which brought him to a wider audience. More provincial engagements followed in Manchester, Birmingham and Liverpool, and he became a mainstay of the popular Christmas pantomime scene. (Full article...)
  • Image 9 St James' Church in about 1890, by Henry King St James' Church, commonly known as St James', King Street, is an Australian heritage-listed Anglican parish church located at 173 King Street, in the Sydney central business district in New South Wales. Consecrated in February 1824 and named in honour of St James the Great, it became a parish church in 1835. Designed in the style of a Georgian town church by the transported convict architect Francis Greenway during the governorship of Lachlan Macquarie, St James' is part of the historical precinct of Macquarie Street which includes other early colonial era buildings such as the World Heritage listed Hyde Park Barracks. The church remains historically, socially and architecturally significant. The building is the oldest one extant in Sydney's inner city region. It was added to the New South Wales State Heritage Register on 3 September 2004; and was listed on the (now defunct) Register of the National Estate. (Full article...)

    St James' Church in about 1890, by Henry King

    St James' Church, commonly known as St James', King Street, is an Australian heritage-listed Anglican parish church located at 173 King Street, in the Sydney central business district in New South Wales. Consecrated in February 1824 and named in honour of St James the Great, it became a parish church in 1835. Designed in the style of a Georgian town church by the transported convict architect Francis Greenway during the governorship of Lachlan Macquarie, St James' is part of the historical precinct of Macquarie Street which includes other early colonial era buildings such as the World Heritage listed Hyde Park Barracks.

    The church remains historically, socially and architecturally significant. The building is the oldest one extant in Sydney's inner city region. It was added to the New South Wales State Heritage Register on 3 September 2004; and was listed on the (now defunct) Register of the National Estate. (Full article...)
  • Image 10 Illustration from an 1897 edition by Georges Cain La Cousine Bette (French pronunciation: [la kuzin bɛt], Cousin Bette) is an 1846 novel by French author Honoré de Balzac. Set in mid-19th-century Paris, it tells the story of an unmarried middle-aged woman who plots the destruction of her extended family. Bette works with Valérie Marneffe, an unhappily married young lady, to seduce and torment a series of men. One of these is Baron Hector Hulot, husband to Bette's cousin Adeline. He sacrifices his family's fortune and good name to please Valérie, who leaves him for a well-off merchant named Crevel. The book is part of the Scènes de la vie parisienne section of Balzac's novel sequence La Comédie humaine ("The Human Comedy"). In the 1840s, a serial format known as the roman-feuilleton was highly popular in France, and the most acclaimed expression of it was the socialist writing of Eugène Sue. Balzac wanted to challenge Sue's supremacy, and prove himself the most capable feuilleton author in France. Writing quickly and with intense focus, Balzac produced La Cousine Bette, one of his longest novels, in two months. It was published in Le Constitutionnel at the end of 1846, then collected with a companion work, Le Cousin Pons, the following year. (Full article...)

    Illustration from an 1897 edition
    by Georges Cain

    La Cousine Bette (French pronunciation: [la kuzin bɛt], Cousin Bette) is an 1846 novel by French author Honoré de Balzac. Set in mid-19th-century Paris, it tells the story of an unmarried middle-aged woman who plots the destruction of her extended family. Bette works with Valérie Marneffe, an unhappily married young lady, to seduce and torment a series of men. One of these is Baron Hector Hulot, husband to Bette's cousin Adeline. He sacrifices his family's fortune and good name to please Valérie, who leaves him for a well-off merchant named Crevel. The book is part of the Scènes de la vie parisienne section of Balzac's novel sequence La Comédie humaine ("The Human Comedy").

    In the 1840s, a serial format known as the roman-feuilleton was highly popular in France, and the most acclaimed expression of it was the socialist writing of Eugène Sue. Balzac wanted to challenge Sue's supremacy, and prove himself the most capable feuilleton author in France. Writing quickly and with intense focus, Balzac produced La Cousine Bette, one of his longest novels, in two months. It was published in Le Constitutionnel at the end of 1846, then collected with a companion work, Le Cousin Pons, the following year. (Full article...)
  • Image 11 Dan Leno in the 1880s George Wild Galvin (20 December 1860 – 31 October 1904), better known by the stage name Dan Leno, was a leading English music hall comedian and musical theatre actor during the late Victorian era. He was best known, aside from his music hall act, for his dame roles in the annual pantomimes that were popular at London's Theatre Royal, Drury Lane, from 1888 to 1904. Leno was born in St Pancras, London, and began to entertain as a child. In 1864, he joined his parents on stage in their music hall act, and he made his first solo appearance, aged nine, at the Britannia Music Hall in Coventry. As a youth, he was famous for his clog dancing, and in his teen years, he became the star of his family's act. He adopted the stage name Dan Leno and, in 1884, made his first performance under that name in London. As a solo artist, he became increasingly popular during the late 1880s and 1890s, when he was one of the highest-paid comedians in the world. He developed a music hall act of talking about life's mundane subjects, mixed with comic songs and surreal observations, and created a host of mostly working-class characters to illustrate his stories. In 1901, still at the peak of his career, he performed his "Huntsman" sketch for Edward VII at Sandringham. The monarch was so impressed that Leno became publicly known as "the king's jester". (Full article...)
    Dan Leno in the 1880s

    George Wild Galvin (20 December 1860 – 31 October 1904), better known by the stage name Dan Leno, was a leading English music hall comedian and musical theatre actor during the late Victorian era. He was best known, aside from his music hall act, for his dame roles in the annual pantomimes that were popular at London's Theatre Royal, Drury Lane, from 1888 to 1904.

    Leno was born in St Pancras, London, and began to entertain as a child. In 1864, he joined his parents on stage in their music hall act, and he made his first solo appearance, aged nine, at the Britannia Music Hall in Coventry. As a youth, he was famous for his clog dancing, and in his teen years, he became the star of his family's act. He adopted the stage name Dan Leno and, in 1884, made his first performance under that name in London. As a solo artist, he became increasingly popular during the late 1880s and 1890s, when he was one of the highest-paid comedians in the world. He developed a music hall act of talking about life's mundane subjects, mixed with comic songs and surreal observations, and created a host of mostly working-class characters to illustrate his stories. In 1901, still at the peak of his career, he performed his "Huntsman" sketch for Edward VII at Sandringham. The monarch was so impressed that Leno became publicly known as "the king's jester". (Full article...)
  • Image 12 North façade of the Stanford Memorial Church from the Main Quad Stanford Memorial Church (also referred to informally as MemChu) is located on the Main Quad at the center of the Stanford University campus in Stanford, California, United States. It was built during the American Renaissance by Jane Stanford as a memorial to her husband Leland. Designed by architect Charles A. Coolidge, a student of Henry Hobson Richardson, the church has been called "the University's architectural crown jewel". Designs for the church were submitted to Jane Stanford and the university trustees in 1898, and it was dedicated in 1903. The building is Romanesque in form and Byzantine in its details, inspired by churches in the region of Venice, especially, Ravenna. Its stained glass windows and extensive mosaics are based on religious paintings the Stanfords admired in Europe. The church has five pipe organs, which allow musicians to produce many styles of organ music. Stanford Memorial Church has withstood two major earthquakes, in 1906 and 1989, and was extensively renovated after each. (Full article...)
    Floodlit view at night of the façade of the church. The facade has two stories, At the lower level are three arched doorways. In the upper level is a large central arched window flanked by tall narrow triplet windows. Above the windows rises a gable, richly decorated with a mosaic of a biblical theme and surmounted by a cross.
    North façade of the Stanford Memorial Church from the Main Quad

    Stanford Memorial Church (also referred to informally as MemChu) is located on the Main Quad at the center of the Stanford University campus in Stanford, California, United States. It was built during the American Renaissance by Jane Stanford as a memorial to her husband Leland. Designed by architect Charles A. Coolidge, a student of Henry Hobson Richardson, the church has been called "the University's architectural crown jewel".

    Designs for the church were submitted to Jane Stanford and the university trustees in 1898, and it was dedicated in 1903. The building is Romanesque in form and Byzantine in its details, inspired by churches in the region of Venice, especially, Ravenna. Its stained glass windows and extensive mosaics are based on religious paintings the Stanfords admired in Europe. The church has five pipe organs, which allow musicians to produce many styles of organ music. Stanford Memorial Church has withstood two major earthquakes, in 1906 and 1989, and was extensively renovated after each. (Full article...)
  • Image 13 The Citigroup Center (formerly Citicorp Center and also known by its address, 601 Lexington Avenue) is an office skyscraper in the Midtown Manhattan neighborhood of New York City. Built in 1977 for Citibank, it is 915 feet (279 m) tall and has 1.3 million square feet (120,000 m2) of office space across 59 floors. The building was designed by architect Hugh Stubbins, associate architect Emery Roth & Sons, and structural engineer William LeMessurier. The Citigroup Center takes up much of a city block bounded clockwise from the west by Lexington Avenue, 54th Street, Third Avenue, and 53rd Street. Land acquisition took place from 1968 to 1973; St. Peter's Church sold its plot on the condition that a new church building be constructed at the base of the tower. The design was announced in July 1973, and the structure was completed in October 1977. Less than a year after completion, the structure had to be strengthened when it was discovered that, due to a design flaw, the building was vulnerable to collapse in high winds. The building was acquired by Boston Properties in 2001, and Citicorp Center was renamed 601 Lexington Avenue in the 2000s. The New York City Landmarks Preservation Commission designated the Citigroup Center as a city landmark in 2016. The building's public spaces underwent renovations in 1995 and 2017. (Full article...)

    The Citigroup Center (formerly Citicorp Center and also known by its address, 601 Lexington Avenue) is an office skyscraper in the Midtown Manhattan neighborhood of New York City. Built in 1977 for Citibank, it is 915 feet (279 m) tall and has 1.3 million square feet (120,000 m2) of office space across 59 floors. The building was designed by architect Hugh Stubbins, associate architect Emery Roth & Sons, and structural engineer William LeMessurier.

    The Citigroup Center takes up much of a city block bounded clockwise from the west by Lexington Avenue, 54th Street, Third Avenue, and 53rd Street. Land acquisition took place from 1968 to 1973; St. Peter's Church sold its plot on the condition that a new church building be constructed at the base of the tower. The design was announced in July 1973, and the structure was completed in October 1977. Less than a year after completion, the structure had to be strengthened when it was discovered that, due to a design flaw, the building was vulnerable to collapse in high winds. The building was acquired by Boston Properties in 2001, and Citicorp Center was renamed 601 Lexington Avenue in the 2000s. The New York City Landmarks Preservation Commission designated the Citigroup Center as a city landmark in 2016. The building's public spaces underwent renovations in 1995 and 2017. (Full article...)
  • Image 14 The Wisconsin Territorial Centennial half dollar is a commemorative half dollar designed by David Parsons and Benjamin Hawkins and minted by the United States Bureau of the Mint in 1936. The obverse depicts a pick axe and lead ore, referring to the lead mining in early Wisconsin, while the reverse depicts a badger and the territorial seal. Organizers of the territorial centennial celebration sought a commemorative half dollar as a fundraiser; at this time newly issued commemorative coins found a ready market from collectors and speculators. Accordingly, legislation was introduced by Senator Robert M. La Follette Jr., which, though it was amended, passed Congress without opposition. When initial designs by Parsons were rejected by the Commission of Fine Arts, Hawkins was hired, and he executed the designs, though Parsons was also given credit. (Full article...)

    The Wisconsin Territorial Centennial half dollar is a commemorative half dollar designed by David Parsons and Benjamin Hawkins and minted by the United States Bureau of the Mint in 1936. The obverse depicts a pick axe and lead ore, referring to the lead mining in early Wisconsin, while the reverse depicts a badger and the territorial seal.

    Organizers of the territorial centennial celebration sought a commemorative half dollar as a fundraiser; at this time newly issued commemorative coins found a ready market from collectors and speculators. Accordingly, legislation was introduced by Senator Robert M. La Follette Jr., which, though it was amended, passed Congress without opposition. When initial designs by Parsons were rejected by the Commission of Fine Arts, Hawkins was hired, and he executed the designs, though Parsons was also given credit. (Full article...)
  • Image 15 Castlevania: Aria of Sorrow is a 2003 action role-playing game developed and published by Konami. It is the third Castlevania game for the Game Boy Advance. Producer Koji Igarashi, who had led the production teams for previous Castlevania games, led Aria of Sorrow's development as well. Michiru Yamane returned to compose the music alongside Takashi Yoshida and Soshiro Hokkai. Director Junichi Murakami was new to the Castlevania series. Aria of Sorrow is set in the year 2035, when Dracula has been sealed away after a battle in 1999. The plot follows the journey of Soma Cruz, a teenager granted occult power as a result of being a potential vessel of Dracula's reincarnation, as he battles dark figures that wish to inherit the undead lord's power. The game has been described as an action-adventure game with elements of role-playing games. Aria of Sorrow introduces several features to the series, such as the "Tactical Soul" system and employs a futuristic storyline in contrast to the medieval setting of other Castlevania games. (Full article...)
    Castlevania: Aria of Sorrow is a 2003 action role-playing game developed and published by Konami. It is the third Castlevania game for the Game Boy Advance. Producer Koji Igarashi, who had led the production teams for previous Castlevania games, led Aria of Sorrow's development as well. Michiru Yamane returned to compose the music alongside Takashi Yoshida and Soshiro Hokkai. Director Junichi Murakami was new to the Castlevania series.

    Aria of Sorrow is set in the year 2035, when Dracula has been sealed away after a battle in 1999. The plot follows the journey of Soma Cruz, a teenager granted occult power as a result of being a potential vessel of Dracula's reincarnation, as he battles dark figures that wish to inherit the undead lord's power. The game has been described as an action-adventure game with elements of role-playing games. Aria of Sorrow introduces several features to the series, such as the "Tactical Soul" system and employs a futuristic storyline in contrast to the medieval setting of other Castlevania games. (Full article...)
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Kanō Masanobu
Kanō Masanobu
Zhou Maoshu Appreciating Lotuses, a designated National Treasure of Japan, is a 15th century painting mounted as a hanging scroll by Kanō Masanobu that depicts the 11th century Confucian scholar Zhou Maoshu in a boat floating on a lake with lotuses. Kanō was the chief painter of the Ashikaga shogunate and is generally considered the founder of the Kanō school of painting, which would become the dominant style of painting until the Meiji period.
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Storer House, Hollywood Boulevard

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William Shakespeare

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  • August 5: DaBaby Levitating remix losing US radio audiences after the rapper's comments on HIV/AIDS
  • June 11: Taylor Swift's Evermore records biggest sales week of the year as it returns to No 1 on album chart
  • May 27: Olivia Rodrigo's song good 4 u debuts at No 1 on US Billboard Hot 100 chart
  • May 25: 'Rock and roll never dies': Italy wins Eurovision after 30 years
  • February 10: Disney to shut down Blue Sky Studios, animation studio behind 'Ice Age'
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Featured biography

Priest in Fribourg, c. 1860s

Pierre Rossier was a pioneering Swiss photographer whose albumen photographs, which include stereographs and cartes-de-visite, comprise portraits, cityscapes and landscapes. He was commissioned by the London firm of Negretti and Zambra to travel to Asia and document the progress of the Anglo-French troops in the Second Opium War and, although he failed to join that military expedition, he remained in Asia for several years, producing the first commercial photographs of China, the Philippines, Japan and Siam (now Thailand). He was the first professional photographer in Japan, where he trained Ueno Hikoma, Maeda Genzō, Horie Kuwajirō, as well as lesser known members of the first generation of Japanese photographers. In Switzerland he established photographic studios in Fribourg and Einsiedeln, and he also produced images elsewhere in the country. Rossier is an important figure in the early history of photography not only because of his own images, but also because of the critical impact of his teaching in the early days of Japanese photography. (Full article...)

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Mozart – Eine kleine Nachtmusik
The first movement of Mozart's Serenade No. 13.
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— Leonard Baskin, Publishers Weekly (April 5, 1965)
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