"Classical music" and "art music" are terms that have been used to refer to music of different cultural origins and traditions. Such traditions often date to a period regarded as the "golden age" of music for a particular culture.
The following tables list music styles from throughout the world and the period in history when that tradition was developed:
At least 6th century AD (as Indian and Hindustani classical music), split from Hindustani classical music c. 1860.[4][5]
The classical tradition of Afghanistan, ultimately a descendant of Hindustani classical music.[5] Developed in the 19th century by Indian musicians in Afghan courts.[5] Along with Hindustani music theory and instruments, Afghan classical music also uses local Pashtun elements, especially in its performance practices.[5]
The classical tradition of Burma seems to have begun around the late Toungoo period,[14] with an expansion of Western-influenced repertoire during the colonial period.[citation needed] Organized into various forms based on tuning systems, melodic structure, rhythmic patterns and performance conventions, commonly played genres include the kyo, bwe, and thachingan.[15]
References
^"Learn the History Behind Gamelan, Indonesian Music and Dance". ThoughtCo. Retrieved 2021-12-09.
^ a bSubramaniam, L. (1999). "The reinvention of a tradition: Nationalism, Carnatic music and the Madras Music Academy, 1900–1947". Indian Economic & Social History Review. 36 (2): 131–163. doi:10.1177/001946469903600201. S2CID 144368744.
^Dace, Wallace (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249–254. doi:10.2307/3204783. JSTOR 3204783.
^ a bDace 1963, p. 249.
^ a b c dDoubleday, pg. 3
^Thrasher, Alan Robert (2008). Sizhu Instrumental Music of South China: Ethos, Theory and Practice. BRILL. ISBN978-90-04-16500-7.
^Haddow, Alexander John (1982, 2003). The History and Structure of Ceol Mor – A Guide to Piobaireachd The Classical Music of the Great Highland Bagpipe. Glasgow: The Piobaireachd Society.
^ a bLawergren, Bo (2016). "MUSIC HISTORY". Encyclopaedia Iranica (online ed.).
^ a bFeldman, Walter (2015). "The Musical 'Renaissance' of Late Seventeenth Century Ottoman Turkey: Reflections on the Musical Materials of Ali Ufkî Bey (ca. 1610–1675), Hâfiz Post (d. 1694) and the 'Marâghî' Repertoire". In Greve, Martin (ed.). Writing the History of "Ottoman Music". Ergon. pp. 87–138. doi:10.5771/9783956507038-87. ISBN978-3-95650-703-8.
^María Rosa Menocal; Raymond P. Scheindlin; Michael Sells, eds. (2000). The Literature of Al-Andalus. The Cambridge History of Arabic Literature 5, series edited by Alfred Felix and Landon Beeston. Cambridge University Press. pp. 72–73. ISBN978-0-521-47159-6.
^Ensemble Bîrûn (2016). I maftirîm e le opere degli ebrei sefarditi nella musica classica ottomana [The maftirîms and the Works of Sephardic Jews in Ottoman Classical Music] (PDF) (in Italian). Fondazione Giorgio Cini. ISBN978-88-6163-143-4 – via CORE.
^ a bCHING, TAN LI (2008-07-29). "Transmission of Burmese Classical Music". scholarbank.nus.edu.sg. Retrieved 2018-09-14.
^Inoue, Sayuri (2014-12-01). "Written and Oral Transmission of Burmese Classical Songs" (PDF). The Journal of Sophia Asian Studies (32): 41–55.
Miller, Terry E.; Sam, Sam-ang (Spring–Summer 1995). "The Classical Musics of Cambodia and Thailand: A Study of Distinctions". Ethnomusicology. 39 (2): 229–243. doi:10.2307/924427. JSTOR 924427.